The Canon 10-18mm f/4.5-5.6 has notable speed and smooth focusing abilities that make it the ultimate budget wide angle for both videography and photography. Ultra wide-angle perspective distortion is a type that you can have fun with and try to incorporate in your image or video as a unique, additional element. You can also use this distortion to your creative advantage.

Don’t forget that you can always crop your image later! You won’t be able to make up for the edges that get corrected out of the frame if you shoot too close. You should always check your image previews after turning on this feature, and we suggest going into your settings and changing the preview time to 8 seconds or longer so that you can take a good look at all the details and make sure the effect isn’t sacrificing any important elements. If you don’t want to sacrifice the edges of your shot, back up a few feet or make other appropriate accommodations to retain the integrity of your image framing. Keep in mind that turning on the distortion aberration correction function will narrow your image slightly. This means that you can turn on the distortion aberration correction function to correct straight line distortion. One of the many reasons why we recommend using this particular lens with this particular camera body is because the aberration correction data of the Canon 10-18mm f/4.5-5.6 is registered in the Canon 80D. If you’re shooting buildings, for example, the buildings will curve on the edges due to this distortion. The only disadvantage is that these lenses produce a distinctive perspective distortion that is unique to all ultra-wide-angle lenses. It’s for this reason that wide-angle lenses are so great to have in your kit: they can capture many more elements in a single image than any other lens. This ultra-wide-angle zoom lens is ideal for use with the Canon 80D because it can capture the widest range of view possible. One of the best lenses you can use with the Canon EOS 80D DSLR camera body is the Canon EF-S 10-18mm f/4.5-5.6 IS STM.

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